Wednesday, August 28, 2013

FEATHERS AND FUR



NAGUESH  RAO  SARDESSAI


The famed Bengal Tiger staring at you, baby elephant cozying under the protective cover of its mother, birds chirping through the silent void and various other pictures, by Carl D’Silva, captivate the visitors at the Gallery Gitanjali, Fontainhas, Panaji, where he’s having his first major show titled ‘Feathers and Fur’.

“You can't depend on your eyes when your imagination is out of focus,” said Mark Twain. Carl, with a conventional art school education, took it quite seriously and pushed the boundaries of imagination and sharpened his focus on the emotive aspects of wildlife.

He goes beyond the visible to capture that which is rarely illustrated. In fact, Carl just doesn’t illustrate but at times infuses drama in the seemingly bland subjects. A distressed rooster staring at the broken clay pot that is fashioned on its form; or the frightened rat at the precipice of a depression in the marshy ground ostensibly engineered by a full-grown elephant; or even for that matter a tortoise staring in askance, from the sterile sea-bed, at the army of whales gliding by, are some of the theatrical and interactive works that provoke a dialogue. Carl entices his viewers with moving stories laid out in pictorial embellishment.        

Carl’s tryst with wildlife began early on. Part-time job at the Bombay Natural History Society (BNHS) in the mid nineteen eighties and a meeting with the famed Ornithologist, Dr. Salim Ali strengthened his resolve to work in this direction. Accompanying wildlife ecologists during their field studies enhanced Carl’s vision and knowledge of Indian Natural History and assisted in honing his technical skills.

Even though a career in conservation and wildlife art is extremely demanding physically taxing, Carl was determined to hold on. Success and recognition came calling in the early nineteen nineties when he became the first and as yet only Indian to have his paintings selected for exhibition by the UK based premiere Wildlife Art (consortium), the Society of Wildlife Artists at their annual juried show in London’s Mall Galleries. European art connoisseurs picked these paintings for their collection.
Carl’s talent in illustrating Field Guides on birds has been in great demand in Europe and in India. His completely new set of 64 colour plates depicting 538 species for Salim Ali’s revised edition of ‘The Book of Indian Birds’ elicited encouraging remark from Andrew Robertson in one of the issues of "Newsletter for Bird-Watchers". He states, “Certainly the artist has captured the 'jizz' of most of the birds admirably which indicates a familiarly with the living birds in the wild that is a prerequisite for accurate drawing."

He as to his credit the honour of illustrating a British sponsored field-guide to ‘Birds of the Indian Subcontinents’ which led to production of specialized books on ‘Birds of Bhutan’, ‘Birds of Nepal’ and ‘Birds of North India’. He has also been a major contributor to specialized monographs like ‘Parrots of the World’ and ‘Pheasants, Partridges & Grouse of the World’ and the ‘Birds of East Asia’ that was published in September 2009. The ‘Birds of Mumbai’ published by IBH in 2003 is a best seller.

Carl had convened a show titled ‘Wildlife in Art’ at the Institute Menezes Braganza Hall in the early nineteen nineties. Works of students and professionals rubbed frames and enlivened the premises.

Carl’s refinement and skill in accurately capturing the nuance in the wild world and the species pervading therein, is globally acknowledge. This has helped catapult him to a position where he is one of the most sought after artist for high quality illustrations. 

His painting on big canvas enlarges his oeuvre and embraces the viewers into an enticing comfort zone.

Carl, widely acknowledged as India’s leading Wildlife Artist, is responsible for introducing world-class standards in modern Wildlife Art and attracting appreciative attention from across the world.

The Gallery has introduced a ‘Meet The Artist Hour’ every evening from 6 to 7 during the exhibition at the venue. This is to facilitate wildlife enthusiast and students to interact and strike a dialogue with Carl and partake the wealth of knowledge Carl is bursting with.   

Limited edition prints on canvas will be available for fifteen percent of the price quoted for the original painting. The Gallery will encourage orders for commission work as well. 




Gallery Gitanjali is currently showing 'Feathers and Fur: A wildlife painting exhibition' by naturalist and artist Carl D’Silva between 24- 30 August 2013.
The exhibition was opened by H.E., the Governor of Goa , Shri Bharat Vir Wanchoo.


Saturday, August 10, 2013

COLOURENTICE.COM


 









 NAGUESH  RAO  SARDESSAI


‘Brushstrokes 2013’ is the fifth straight show, and first in Goa, organized by  ‘colourentice.com’, in almost equal number of months.

The show, at the Directorate of Art & Culture’s Art Gallery at Sanskruti Bhavan, Patto, Panaji, brought together fifty artists from across India including seven Goan talents, displaying an eclectic mix of theme, styles, isms, genres etc.

Born out of pure passion for the arts, ‘colourentice.com’ is run by a group of like-minded corporate individuals lead by Topendra Bhattacharjee. Manjula, Topendra’s better half and a passionate amateur artist, was the catalyst to ignite the passion for raising this online entity. Chucking his cozy job as a commercial banker, Topendra immersed himself into creating and nurturing this entity that aims to promote art and artists.
‘We wish to partner with emerging and mid career artists and facilitate a healthy commercial dialogue with the Indian and International art buyers,’ explains Topendra.
This online entity has over 120 artists as members and the firm intends to offer a platform to the emerging creative talent by gifting them their independent space. A novel concept where the online portal will run the business but the artists will vest personal control over their activities. This definitely ensures a flow of artists to ‘colourentice.com’.
‘More so,’ says Topendra, ‘we intend to tap the growing number of trained artists who get lost in the web of cutthroat art market and glitzy maneuvers.’
‘The artists here will not only be selling art but also get constant support and guidance in the course of their blooming career.’
The firm has plans to include Indian folk art into their ambit and promote it to further the folk artists’ interest. A noble intention though, with a focus on all out commercial benefits to these less privileged artists. The firm relies on referrals for accepting artists on board which make the process transparent and attracts quality talent.
The exhibition here, in Goa, was chock-a-block with high quality contemporary art works and commendable draftsmanship. With deliberate attempt to travel these shows to different cities and include the local artists, ‘colourentice.com’ intends to offer the much-admired diversity and facilitate a dialogue with the local art enthusiasts.
Noted artist Mohan Naik, who was the prime facilitator of this stunning show, has his enticing works on display besides six other Goan Artists. The others included Sanjay Harmalkar, Theodore Mariano Mesquita, Suhas Shilker, Francis De Sousa, Julio D Souza, Norman Tagore and Salvador Fernandes.
Jogen Chowdhury, Devidas Dharmadhikari, Dhiren Sasmal, Dinkar Jadhav, Gopal Chowdhury, H. R. Das, Jagannath Paul, Madhumita Bhattacharya, Mithun Datta, Prashant Yumpure, Samir Sarkar, Shekhar Ballari and many others represent the Indian contingent.
Each of the work displayed exuded immense quality and refinement that had been eluding Goan art lovers for far too long. The Art Gallery was enveloped with a visual extravaganza that extended a warm invite, invigorated the visitors and added colours to their life.
The exhibition was on view till May 26, 2013.

//OM// Naguesh Rao Sardessai Studio 07 Fine Art Academy’s fifth annual art show was organised in collaboration with Ravind...