Sunday, November 16, 2008

BACK TO HAND PAINTED PORTRAITS


NAGUESH RAO SARDESSAI

Photography and the technological advancement in the field of printing robbed the art of portraiture and the artists the prime position they once enjoyed. Nevertheless, overdose of the above has once again turned the clock backwards. As fate would have it, people have begun to gravitate towards hand painted pictures. That includes portraits.

Department of Art & Culture, Goa had just recently organized a three day ‘Portrait Workshop’ from November 3 to 5 at the Art Gallery of Institute Menezes Braganza, Panaji. The workshop that was initially confined to selected, prior registered artists was later on, due to overwhelming response, thrown open for general art enthusiasts who had a flair for art.

Young and dynamic professor from Sir J. J. School of Art, Mumbai, Anil Naik was the resource person who conduct the workshop. A well-known artist with expertise in painting portraits and adapt at using varied mediums, Anil conducted live demonstrations that mesmerized the participants. The ease with which he handled various mediums ranging from comfortable oils to malleable dry pastels and extremely volatile and difficult watercolours encouraged the participants to follow suit.

The demonstrations were followed by lectures, slide shows of his works and an interactive session where enlightened the crowd and dispelled whatever little doubts regarding art in general. With keen observation and giving patient hearing to the difficulties of the participating artists, in the art of portraiture, Anil displayed his maturity and dedication in the field of teaching.

The participants got an opportunity to upgrading their skills and benefit from the workshop. The workshop, which is first of its kind in the state, will go a long way in activating interest in art amongst the common man.

At the concluding session of the workshop, the Director, Department of Art & Culture, Goa, Prasad Lolienkar, ensured the audience that he’ll concentrate on promoting visual art along with the other art forms and make an effort to instill interest in the general public of Goa.

Noted theatre personality and senior artist Shridhar Kamat Bambolkar reminded the participants of the contribution Goan artists like Antonio Xavier Trinidade have made in the field of portraiture, besides others in general.

Resource person, Anil Naik praised the participants and told them to continue with the same spirit.

The Department of Art & Culture, Goa under the able leadership of Prasad Loleinkar and support of his active staff is surely doing a commendable job. This writer, through this column, take the liberty to appreciate Sidharth gaitonde, the programe co ordinator of this workshop, and recommends the department to conduct art appreciation courses to create awareness and encourage creative faculties in the citizens. We hope to see many more workshops in the days to come.

Friday, November 7, 2008

‘BENGALI TALENT ON DISPLAY’

NAGUESH RAO SARDESSAI

‘Gallery Art Chamber’, Calangute is hosting an exhibition of paintings of young masters from West Bengal titled “The Bengal school of art”. This is the third show in the series of exhibitions organized under the ‘Young Masters’ series.

This exhibition has on display promising talent and potential masters on view. Each of the seven artists displays independent creative ideas. Stylistically not completely out of box, however none of them fail to impress on the viewers their quality draftsmanship.

Tapan Das, Subir Dey and Ranit Dutta work around formal concepts and in more traditional style. Whereas, Ashish Mondal, Jiban Biswas, kajal Mondal and Ranadip Mukherjee’s works are zeitgeist.

Ashish, Jiban and Kajal address the issues connected with the modern generation, generation driven by technology, fashion etc. Kajal’s works seem to be an attempt in black humour and plain satire with serious commentary. The viewer is expected to interpret the composition.

Ashish uses very mundane imagery in an intriguing way to evoke awe and complex reaction at the same time. He forces the viewers to get involved in his works. Ashish is either too optimistic or a visionary or downright critical. With science fiction type human beings connected and charged via cables as in ‘If This Could Be Possible’ or ‘Contact To Myself’, Ashish seem to mock at our overt dependence on modern gadgets which has fueled disconnect with human aspects.

Jiban on the contrary juxtapose the modern with the traditional. The two are juxtaposed to highlight the paradox prevailing in the Indian society. The paradox of a modern Nation accommodating the traditional wealth with complete ease. The enviable contradiction called India.

Ranadip’s single work ‘Durga’ on display is bold and matured.

Tapan’s mixed media works of boats and houses and Ranit’s watercolour landscapes and scenes of Culcutta streets, even though executed in a more traditional style call for attention along with Subir’s paintings of sadhus. Subir’s compositions are tight and strokes bold enough to catch the viewers’ attention.
Gallery Art Chamber is doing a commendable job of identifying and promoting promising talent.

//OM// Naguesh Rao Sardessai Studio 07 Fine Art Academy’s fifth annual art show was organised in collaboration with Ravind...